Est. June 12th 2009 / Desde 12 de Junho de 2009

A daily stopover, where Time is written. A blog of Todo o Tempo do Mundo © / All a World on Time © universe. Apeadeiro onde o Tempo se escreve, diariamente. Um blog do universo Todo o Tempo do Mundo © All a World on Time ©)

sábado, 25 de setembro de 2021

Coisas do Ephemera - exposição aC / dC Tempos de Pandemia - making of


Começou assim...


e terminou assim...


Com o último objecto, criado de propósito para o evento, a ser terminado e colocado horas antes da inauguração.

A Exposição aC / dC* - Tempos de Pandemia (*antes e depois do Coronavírus) decorre até domingo, 21 de Novembro, no Museu Nacional de História Natural e da Ciência (MUHNAC), em Lisboa. É fruto da parceria feita com esta instituição pelo Arquivo Ephemera, que ali mostra uma pequena parte do seu acervo relacionado com a pandemia, recolhido pela rede de voluntários de que dispóe em Portugal e no estrangeiro.

O Ephemera terá sido a primeira organização em Portugal a recolher todo o tipo de material referente ao Covid19 e a ideia da exposição ocorreu-nos no final de 2019, ainda a pandemia não tinha chegado a Portugal. Desde logo, o objectivo era organizar uma exposição, assinalando um ano de situação pandémica no país. Mas a crise sanitária obrigou ao adiamento, por duas vezes, da iniciativa, que esteve marcada para Março e depois para Junho.

Marta Lourenço, Directora do MUHNAC, aderiu desde logo à ideia, cedendo um espaço do museu, a sala que fica mesmo por detrás do átrio principal, e que dá para os claustros. As fotos que se seguem documentam 9 meses de trabalho voluntário. A criança nasceu, finalmente! Recorde-se o making of. 


Depois de uma primeira reunião no MUHNAC, almoço num restaurante libanês vizinho, na Rua da Escola Politécnica. No sentido dos ponteiros do relógio, o núcleo duro do Ephemera para esta iniciativa - Estação Cronográfica (conceito geral e comissariado), Luís Pinheiro de Almeida (comissariado), Rita Maltez (comissariado) e José Pacheco Pereira (direcção geral da exposição).


Marcando um ano da pandemia no país, o PÚBLICO fez uma reportagem sobre o tema e o Ephemera foi referido no seu papel de recolha de material Covid. Na imagem, ao centro, Daniel Rocha, fotógrafo do jornal, que visitou as instalações do arquivo, no Barreiro, para ilustrar a notícia com material Ephemera.


Com o adiamento da inauguração, o Ephemera produziu três filmes, que disponibilizou nas redes sociais, e onde foi mostrando aquilo que iria estar no MUHNAC logo que a situação de saúde pública o permitisse. No primeiro, uma conversa de Estação Cronográfica, com Pacheco Pereira, nos armazéns do Barreiro, dando uma ideia geral do material disponível e do conceito da iniciativa.


No segundo, José Mário Costa, do Ciberdúvidas, falou com Pacheco Pereira, ainda nos armazéns do Barreiro, das novas palavras, da linguagem Covid.


No terceiro e último filme da série, fomos até ao MUHNAC, onde Luís Pinheiro de Almeida, à conversa com Marta Lourenço e Pacheco Pereira, falou da colecção de máscaras do Ephemera (actualmente, cerca de 400). Pode ver aqui os três filmes.

As fotos que se seguem dão testemunho das várias fases por que passou o espaço expositivo.





Rogério Abreu, à esquerda, interface do MUHNAC, foi precioso para o afinamento expositivo tanto no espaço como no conceito.
















































































Quinta-feira, 23 de Setembro, dia da inauguração oficial, o graffiter e ilustrador Kim Ki-Duk (Filipe Correia de Oliveira, que escolheu o nome artístico em homenagem ao realizador coreano) trabalhou, a partir das 09h00 no claustro do Museu, aceitando o repto feito apenas uma semana antes, para que produzisse uma ilustração /graffiti de propósito para a exposição.























Visto o making of... é ir agora ao MUHNAC, ver a exposição aC / dC Tempos de Pandemia ao vivo.

Janela para o passado - Margarina Vaqueiro, 1931

Calendas


in Ver e Crer, Janeiro de 1946 (arquivo Fernando Correia de Oliveira)

Os relógios Gucci no Relógios & Canetas online


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Memorabilia - caderno de apontamento Montblanc, personalizado (à espanhola...)

Memorabilia - champanhe Louis Roederer pelos anos - relógios e jóias Piaget

Termina quinta-feira - passatempo Seiko dá relógio de mergulho a leitor do Relógios & Canetas online

Há 200 anos - sino do relógio de Pinhel toca em celebração da Liberdade, 1821

Nesse dia, eternamente memorável para a Nação Portuguesa, o Clero de Pinhel consultou o seu Calendario , e achando ser Dia Santo, houve na Sé Missa resada, ,a que o Povo assistio: pelo meio dia tocou doze vezes o sino do relogio; e á noite acceadêrãõ-se luzes em algumas casas. Tanto póde o Sagrado amor da Liberdade !

Referência à Revolução Liberal de 1820, iniciada no Porto, e aos festejos sobre o seu primeiro aniversário. In Diário do Governo, terça-feira, 25 de Setembro de 1821 (arquivo Fernando Correia de Oliveira)

Meditações - mesa para 4 ou para 8?

Policeman: A hermit eh? Then why's your table set for four?

Groucho: That's nothing. My alarm clock is set for eight.

sexta-feira, 24 de setembro de 2021

Humor relojoeiro


in Ver e Crer, Dezembro de 1945 (arquivo Fernando Correia de Oliveira)

Janela para o passado - papel de fumar, 1931

Os relógios Girard-Perregaux no Relógios & Canetas online


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Meditações - At The Chime Of a City Clock

At The Chime Of a City Clock


A city freeze

Get on your knees

Pray for warmth and green paper.

A city drought

You're down and out

See your trousers don't taper.

Saddle up

Kick your feet

Ride the range of a London street

Travel to a local plane

Turn around and come back again.

 

And at the chime of the city clock

Put up your road block

Hang on to your crown.

For a stone in a tin can

Is wealth to the city man

Who leaves his armour down.

 

Stay indoors

Beneath the floors

Talk with neighbours only.

The games you play

Make people say

You're either weird or lonely.

A city star

Won't shine too far

On account of the way you are

And the beads

Around your face

Make you sure to fit back in place.

 

And at the beat of the city drum

See how your friends come in twos;

Or threes or more.

For the sound of a busy place

Is fine for a pretty face

Who knows what a face is for.

 

The city clown

Will soon fall down

Without a face to hide in.

And he will lose

If he won't choose

The one he may confide in.

Sonny boy

With smokes for sale

Went to ground with a face so pale

And never heard

About the change

Showed his hand and fell out of range.

 

In the light of a city square

Find out the face that's fair

Keep it by your side.

When the light of the city falls

You fly to the city walls

Take off with your bride.

 

But at the chime of a city clock

Put up your road block

Hang on to your crown.

For a stone in a tin can

Is wealth to the city man

Who leaves his armour down


Nick Drake

quinta-feira, 23 de setembro de 2021

Janela para o passado - Tody, 1931

Os relógios Frederique Constant no Relógios & Canetas online


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Origens da palavra Outono e das outras Estações


A colheita do trigo, Pieter Bruegel o Velho

No Atlas Obscura:

Why Does the Season Before Winter Have Two Names? 

A look at the history of fall and autumn. BY DAN NOSOWITZ

NOVEMBER 3, 2017

Usage of the word "fall" first appeared in England in the mid-16th century; "autumn" pre-dates it to sometime in the late 14th century. Usage of the word “fall” first appeared in England in the mid-16th century; “autumn” pre-dates it to sometime in the late 14th century. 

THERE IS INDECISION ABOUT THE season that comes before winter. The plants all die, or seem to, but at the same time are at their most magnificent: they produce more fruit, turn vibrant colors. We are relieved at the end of a hot summer, and terrified of the long winter ahead. (At least those of us with seasonal affective disorder.) We cram in holidays to both celebrate these brief few weeks and also mourn the green times behind us. And we don’t even know what to call this weird time: is it autumn or fall? Why does this season have two names?

The understanding of seasons varies dramatically based on where you’re located geographically, coupled with, if applicable, which country colonized your country. In the temperate zones, the seasons are generally split up into four; in tropical zones, usually two; in South Asia, usually six. Older calendars may have five or ten or more or fewer. Countries like the US, which span multiple zones, run the gamut. The United States sticks to four seasons, even in parts of the country like South Florida and most of the Southwest, which really only have a wet season and a dry season.

The etymological roots of the English words for the seasons—summer, winter, spring, and autumn/fall—are all weird and fun in their own ways. As some of the most basic concepts language is required to describe, the words for the seasons are extremely old. “Over the centuries, these names change, rather dramatically sometimes, and also from community to community,” says Anatoly Liberman, a historical linguist who has written on the subject for the Oxford University Press. “Summer” originally dates back to the Proto-Indo-European root sem, which meant “half,” and possibly suggests that, in Europe, there were originally only two seasons. From Proto-Indo-European (the root of all major European languages) that root transformed into an array of similar words: sumor, sumar, somer, that kind of thing.

Winter similarly dates from Proto-Indo-European, this time from wed, which meant water, wet, or rainy. It splintered outwards from there; the English “winter” comes from the Proto-Germanic wintruz. My point with these is to note that the two extreme seasons, winter and summer, are very, very old words. The other two seasons? Not so much.

Until around the 16th century, the English language did not really have distinct words for either spring or fall. A survey of language used to describe springtime in Early Modern English, from the 14th to the 16th centuries, shows a whole bunch of terms: vere, primetide, and especially lenten. “This variety of terms suggests that ‘spring’ was not fully lexicalized in the language; ‘spring’ was relatively peripheral compared to winter and summer,” writes Earl R. Anderson in his book Folk Taxonomies in Early English. Same thing for fall: it was sometimes described as the time for harvest, but “harvest” was not the name of the season; it was just what you did during the late summer or early winter.

Fall was, in fact, the very last of the four seasons to become codified with a name, or even the designation as a season on par with the others. There are mentions of winter, summer, and spring in manuscripts dating back to the 12th century; the name of spring may not have been settled upon, but the idea that it was a full season came much earlier than with fall.

The word “autumn” has French roots; in modern French the word is automne. It certainly has Latin roots, coming from the word autumnus, which in turn comes from…somewhere. These etymologies are all guesswork: there was no day when everyone stopped using one and started using another, with a nice paper trail to verify it, so this is all just assumptions based on plausibly similar older words and meanings. Liberman is not particularly wowed by any of the possible origins of autumnus.

Autumn shows up in English first around the late 14th and early 15th centuries, though it coexisted with “harvest” as a loose description of the season for another 200 years.

Fall is different. It first shows up in the mid-16th century in England, primarily at first as “the fall of the leaf,” which was shortened to just “fall.” Like “harvest,” it is descriptive, but more evocative; not just a term coming from the most important action taking place during this time period, but a more poetic observation of what makes this season different. (The etymology of “fall” is not that interesting. You can trace it back to Middle English, Old English, Proto-Germanic, and then Proto-Indo-European, but in each era it basically looked like “fall” and meant “fall.”)

The recognition of fall/autumn as a distinct season started happening in England right around the time that the American colonies began to separate linguistically from British English. By the 17th century, with American colonies already established, more calls for what was called “spelling reform” began. Ever since the Norman conquest, English had been littered with scraps of French, and it was around this time that prominent writers like James Howell began to agitate for sensible wholesale changes to English. These changes were primarily in spelling—logique to logic, for example—but others took things further.

Noah Webster, of Webster’s Dictionary, was an ardent spelling reformer, but while his work was couched in doing the sensible, logical thing, his motivations were also political. He was primarily responsible for making changes to American English spelling in words like “center” (not “centre”) and “color” (not “colour”). Webster’s work was widely adopted, which goes to show that around the time of independence, the American colonies were absolutely ready to change the way they spoke and wrote as a means to differentiate themselves from the imperialist British. By the mid-19th century, “fall” was used more often in the U.S., and “autumn” more often in Britain.

In a 1908 essay that somewhat snootily examines Americanisms, H.W. Fowler admitted that “fall” is a far superior term to “autumn,” but that “fall” is now distinctly American. Here is a very good paragraph from that essay:

In the details of divergence, they have sometimes had the better of us. Fall is better on the merits than autumn, in every way: it is short, Saxon (like the other three season names), picturesque; it reveals its derivation to every one who uses it, not to the scholar only, like autumn; and we once had as good a right to it as the Americans; but we have chosen to let the right lapse, and to use the word now is no better than larceny.

But because autumn and fall became the go-to name of the newly crowned season at around the same time, both terms are used in both the U.K. and the United States. To an American, “fall” is the more common word, with “autumn” easily understood but not the norm. In the U.K., the opposite is true.

Meditações - Volta o Outono

Um enlutado dia cai dos sinos 
como teia tremente duma vaga viúva, 
é uma cor, um sonho de cerejas afundadas na terra,
é uma cauda de fumo que chega sem descanso 
para mudar a cor da água e dos beijos. 

quarta-feira, 22 de setembro de 2021

Janela para o passado - placas fotográficas Jougla, 1906

Joalharia Bagues, Barcelona, 1992


(arquivo Fernando Correia de Oliveira)

Os relógios Chanel no Relógios & Canetas online


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Outono


in Almanaque de Lembranças para 1873 (arquivo Fernando Correia de Oliveira)

Meditações - o tic-tac

The clock always ticks. There are times you don't hear it, and there are times that you do.

David Levithan, in Every Day

terça-feira, 21 de setembro de 2021

Janela para o passado - vinho tónico com quinquina, Dubonnet, 1906

Relojoaria The Watch Gallery, Barcelona, 1992


(arquivo Fernando Correia de Oliveira)

Amanhã - Equinócio de Outono

 

O Equinócio de Outono ocorre amanhã, 22 de Setembro às 20:21 horas. Este instante marca o início do Outono no Hemisfério Norte. Esta estação prolonga-se por 89,859 dias até ao próximo Solstício que ocorre no dia 21 de Dezembro às 15:59 horas. (dados do Observatório Astronómico de Lisboa)

Os relógios Casio no Relógios & Canetas online


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Cada vez menos relógios suíços

As exportações suíças, em termos de volume, decresceram 29,7 por cento em Agosto, comparado com igual mês de 2019, ano que tem servido de comparação à indústria, dado o comportamento atípico de 2020, devido à pandemia.

Em termos de valor, a comparação entre Agostos desses anos confirma uma quase recuperação que se tem vindo a registar (menos 0,4 por cento), com o acumulado do ano a fixar-se nos mais 0,7 por cento.

Diz a Federação Relojoeira helvética, quanto ao comportamento de Agosto:

Different price segments performed in markedly different ways. Watches priced at less than 200 francs (export price) saw their value fall by a third compared with August 2019. The decline in the 200-500 francs range was two times less marked, but nonetheless significant. Items priced at between 500 and 3,000 francs fell by 3.1%, while the most expensive products saw an increase of 3.9%. 

China (+55.3%) and the United States (+19.6%) continued on a very positive trajectory. They were followed by the United Arab Emirates (ranked 8th, at +32.6%) and Saudi Arabia (ranked 13th, at +44.6%) in particular. Conversely, some large markets fell sharply, including Hong Kong (-26.2%), Japan (-37.0%), France (-20.4%) and South Korea (-32.4%). In Europe (-2.4%), the United Kingdom (+3.0%), Germany (-2.6%) and Italy (+5.0%) remained relatively stable. 

Portugal, ausente entre os 30 principais mercados em Agosto, está no acumulado dos oito primeiro meses de Agosto na posição 29, com uma quebra em valor da ordem dos menos 3.8 por cento face a idêntico período de 2019.

Meditações - Time is the wealth of change

Time is the wealth of change, but the clock in its parody makes it mere change and no wealth.

Rabindranath Tagore, in Stray Birds