Est. June 12th 2009 / Desde 12 de Junho de 2009

A daily stopover, where Time is written. A blog of Todo o Tempo do Mundo © / All a World on Time © universe. Apeadeiro onde o Tempo se escreve, diariamente. Um blog do universo Todo o Tempo do Mundo © All a World on Time ©)

sexta-feira, 8 de abril de 2022

Meditações - God’s fleshy clocks

After being fashioned from both the finest and sturdiest materials available at the time, according to the arts and instruction of some of the finest European masters of the mechanism, Madame F. (who is called such for her stature in hindsight, rather than through any marriage to another automaton) settled into her own being. Underneath her waxen skin and fashionable clothing were advanced artificial articulations, as well as cooperating stackfreed and fusee. She was a keen spectator of her surroundings, and watched her father-maker, lost in his philosophical and mathematical labors with great attention. Between lengthy sessions with the quill, he would speak to her of substances, extensions, mechanisms, bodies, minds, and trickster demons; the latter ever-ready to play havoc with the nature of experience or understanding. It seemed to her a perilous world. One in which doubts besieged the intelligence, obliging the mind to pull itself out of its own perplexity by its own hair, as it were. She learned from Monsieur Descartes’ stories that she had an older sister, of the same name, and made of the same organic flesh as he himself. This sister had died at age five, succumbing to the vulnerabilities of organic life, leaving only grief in her stead. Madame F. learned, unlike this phantom sibling she never got to embrace, that she herself had no mother (unless we consider the matrix of materials manifest in her body as a type of motherhood . . . which of course, today, we do). She learned to become accustomed to the strange looks she received from waiters, shopkeepers, hoteliers, and people in the street: people who seemed repulsed by her mechanical gait, her artificial smile, her uncanny too-blue and too-shiny eyes. Her wind-up limbs. Just as she learned to bite her leather tongue when her father-maker voiced his strident opinions concerning animals, and their want of a soul of any description; his conviction that dogs, cats, pigs, and horses were simply God’s fleshy clocks, bereft of this strange metaphysical surplus that humans claimed to have, yet could never prove or render tangible. (All humans, that is, except that insufferable — but intriguing — man known as Julien Offrayde La Mettrie, Snr., who would pass to his offspring a materialist orientation, even passion, and upon whom Madame F., during a tempestuous affair, bestowed more favor than he deserved.)

Dominic Pettman

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